Kurt Pankau Dot Com

👑 Kings and Queens and Guillotines... Hey everybody! Next weekend, October 4th - 6th, I will be attending Archon 47 at the Gateway Convention Center in Collinsville, Illinois. I'll be on some writing craft panels and also putting on a concert as my alter ego, Uncle Fluffy. So if you're going to be in attendance as well, here's where you can find me: Short Stories: Big Ideas in a Small Package 4 Oct 2024, Friday 13:00 - 14:00, Salon 2 Not everything has to be grand, epic multi-book endeavors! Sometimes your idea fits best as a short story. Discuss the elements of a great short story, and how to approach them if you’re not used to thinking on a smaller scale. Surprise! You are the Panelist! 4 Oct 2024, Friday 14:00 - 15:00, Illini A A Moderator is selected but 2 to 3 other panelists are selected from the audience randomly. A subject (chosen by the Moderator) to talk about is handed to the surprise panelists to discuss. I've Got Ideas - Now What? (moderating) 4 Oct 2024,

🎱 Thick Smoke, See Her Smilin' Through... We've all heard the adage: "Show, don't tell." It is, if we're being completely honest with ourselves, a bit over-deployed. It's mainly aimed at the kinds of new writers who think describing events is the same as telling a story, but once you reach a certain level of craft proficiency, you realize that showing versus telling is more about the trade-off. To show something is more engaging, but to tell is more expedient. Sometimes you "tell" in order to preserve pacing. Sometimes you "show" because you can make it into an amusing bit. But sometimes it's best to just do neither... Don't Show, Don't Tell, Cue So why is showing-versus-telling even a thing? The reason has to do with something I talked about in the last post: backstory. Backstory, for the uninitiated, is the necessary context for your story that isn't actually a part of the main plot. This can be everything from world-

🤐 I'll Never Forget About Larry... As I've mentioned a few times, I work with a lot of new writers, and something that happens not-infrequently is that someone has joined the group because they want to write their memoirs. And I'm not one to talk down to someone who wants to develop their craft as a writer. If someone just wants to collect the stories of their life and are planning to self-publish it and only their family is going to read it (but I repeat myself), that's fine . But if you are actually hoping to make some money from your writing, there's something you're going to need to come to grips with... No One Wants to Read Your Goddamn Memoir Before the pedants descend upon me, let me acknowledge that the words "memoir" and "memoirs" mean different things even though most people use them interchangeably. Technically a memoir is an individual story, and a memoirs is a collection of them. I tend to use whichever word feels right in the m

✒️ But I Want to be a Paperback Writer... Hey all, couple of things coming up that I wanted to throw at y'all. A.I., M.D. has been reprinted in the Spring 2024 Dragon Gems Anthology . This story about a misanthropic medical robot originally ran in Unidentified Funny Objects Vol. 8 . Next weekend I will be attending 4th Street Fantasy  and will be appearing on the 10:00am Sunday panel Dwelling on Redemption  alongside Aja McCullough, Aimee Kuzenski, Vivian Shaw, and John Wiswell. If you're there, come say hi! A new story called A Pin Drops is in the June issue of  Flash Fiction Online . It can purchased through their website, and it will appear for free online later this month. It is--hands down--the strangest story I have ever sold. Is it funny? Yes. Is it traumatizing? Also yes. Which is more prominent? I will leave that as an exercise for the reader. Thanks, ]{p

🤐 Boy, What a Joker, What a Funny, Funny Guy... There's a lot that goes into telling a joke. Picture yourself at a party, standing around the kitchen, shooting the breeze, and then people start trying to make each other laugh with jokes. It's your turn--all eyes are on you. So you start with the setup. You're hamming up the absurdity a little, and you're taking note of how your audience is responding. If they're enjoying it, you lean in and stretch things out. If their attention is flagging, you move ahead more quickly. You're gesturing, you're doing voices, and you're building up to the big finish. And then you get there. You pause for emphasis. While you deliver it, you raise your voice by a few decibels so every knows that this  is the punchline. And the people laugh. They reward your effort, because, as noted above, there's a lot that went into telling that joke. Now throw all of it away, because none  of it works on paper... You Aren't Funn

🥊 'Cause I've Still Got a Lot of Fight Left in Me... Some months ago I found myself in a bar sitting between two groups of people involved in separate conversations. On one side, someone was talking about how Hamilton  is overrated. On the other side, someone was talking about how the CW show Supernatural  is overrated. Now, I'm a huge Hamilton  fan, but for some reason the Supernatural  conversation grated on me more. Because I'm pretty sure that show is exactly  correctly rated. No one watching Supernatural  after fifteen seasons is under the impression that this is high art. It is monster-of-the-week melodrama. But, it is exactly what its fans want, and they enjoy it exactly for what it is--which is why it ran for fifteen seasons! Now, I've never seen it, so I can't personally attest to the quality, but the point remains... Stop Bashing Popular Things I promise, this will eventually circle back to craft. When E. L. James's  Fifty Shades of Grey  hit the